Then I sat in her chair, I saw how she of the Museum of Art in São Paulo almost 70 years ago but she brought so much modernity.” “There are a lot of things you read in books, but I had not fully experienced her space. The initial idea was to celebrate Bo Bardi’s legacy. “Choosing Mari allowed to bring diversity to the project, a different point of view and for me to be surprised,” Blazy continued. The brand was founded by Michele Taddei and Renzo Zengiaro, who were followed by owners Laura Braggion and Vittorio Moltedo before Gucci Group’s acquisition in 2001. We have to trust the people we entitle I don’t want to fall into the mono-vision of me driving the car,” underscored Blazy. I placed myself as a spectator as I was interested to learn as well. She went to Amazonia and found an incredible artist. With her help, while he was knowledgeable in Brazilian art, he said he “discovered many others, and I trusted Mari to bring a new point of view. Through the 11-day program that kicked off on May 24, artists and artworks from Brazil came together to honor the legacy of Bo Bardi, explore her interaction with Brazilian culture, and celebrate Brazilian creativity in all its forms.īlazy enjoys visiting art fairs, such as Frieze, for example, and knew about Stockler’s work through these events, he said. Completed in 1951, the house has been a meeting point for artists, architects and intellectuals both during Bo Bardi’s lifetime, and subsequently under the direction of the Instituto Bardi/Casa de Vidro. ![]() Not just fine art, but also sculpture and music, gathering the artists in the house, as Bo Bardi would have done.”Ĭasa de Vidro was Bo Bardi’s first built project and personal residence until her death in 1992. “What she did was incredible and also very generous, she put herself in Bo Bardi’s shoes and looked at the different horizons of creation in Brazil. ![]() Blazy was adamant that he did not want “just a party or a store event I think it’s very, very boring.”įollowing the the custom square structures of Dubai and Tokyo, the event was held in the square setting of Bo Bardi’s landmark Modernist house, surrounded by a lush garden.īlazy enthused about Bo Bardi, revealing his longtime passion for the work of the late Italian-born architect and still marveling at the opportunity to stage the experience in her house. ![]() The Square São Paulo, which also marked Bottega Veneta’s 10-year anniversary in Brazil and celebrated the partnership with leading luxury developer Iguatemi, was curated with Mari Stockler. The Square series brings together artists, guests and the public in immersive, site-specific events that aim to stimulate curiosity and dialogue while championing Bottega Veneta’s values of craft, creativity and self-expression, he explained. “Often brands hold events to present their products, but I find it more interesting to start a conversation in a different country, where the event is more local, in a shared way, where the experience does not depend on the product, and inviting a diverse group of people who are experts in their own field.”
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